ADOBE PREMIERE PRO CC 2015 FUNDAMENTALS

The diehmayxanh.com Premiere Pro CC 2015.3 release (June 2016)delivers easy proxy media creation that allows you to switch seamlessly between original high-resolution and proxy low-resolution clips. Get your work done faster with the Premiere Pro family of apps, connected to each other and to your creative assets by Creative Cloud, providing a more streamlined way to create. Premiere Pro also now offers powerful support forVR Videoworkflows. Color and light have never been more important and with new enhancements to the Lumetri Color tools, creative possibilities are greatly expanded. Thanks to CreativeSync, all your creative assets — your media, looks, images, and Stock content — are available in Premiere Pro CC.

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New in Premiere Pro 2015.4 | August 2016

Premiere Pro now offers high-performance native support for QuickTime codecs. Supported formats include:

Native Import: AAC, PNG, Animation.Native Export: Animation.
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New in Premiere Pro CC 2015.3 | June 2016

Premiere Pro now supports proxy media creation, allowing you to easily switch between original/high-resolution and proxy/low-resolution clips. Heavy 8K, HD or HFR media can overload even the most powerful computer systems. Using lower-resolution proxies can speed up editing, while maintaining the ability to switch back to the original high resolution media for final output. With proxy creation, you can work with high-resolution media flexibly, across different devices (for example, on lightweight devices that are slower and have less storage). Switching between proxy/low-resolution and original/high-resolution files has never been easier or more fluid.

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New in Premiere Pro CC 2015.3 | June 2016

Now you can start editingfootage immediately while it’s being imported in the background. Mount thecamera media and start editing right away. Once the copy is complete, Premiere Pro switches to using thecopied media—allowing the camera media to be freed up for use elsewhere.


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New in Premiere Pro CC 2015.3 | June 2016

A new VR workflow allows you to move around virtually inside spherical media using new monitor controls or by click-dragging on the video for a complete preview of the VR video playback experience. Premiere Pro export properly flags the file so VR-capable video players such as YouTube automatically recognize it. You can also preview stereoscopic VR media by switching into anaglyph mode (requires anaglyph 3D glasses).


New in Premiere Pro CC 2015.3 | June 2016

New enhancements to the Lumetri Color tools help you be more creative with color. For example, using HSL Secondaries, you can easily select a specific range of colors to make adjustments to. Premiere Pro also now offers color grading control surface support, which gives users finer control over the subtleties of the color grade than what can be achieved with a mouse and keyboard. Using the White Balance eyedropper feature, you can now set the white balance within the frame with a single click. You can also set the brightness of the scopes to one of three levels to make them more readable in various lighting conditions. Apply preset SpeedLooks with just one click.